IDM [ Intelligent Dance Music ]

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IDM (англ. Intelligent Dance Music) — условное обозначение для набора тех стилей электронной музыки, которые не вписываются в традиционные рамки принятых обозначений.

Фигурирующее в названии жанра сочетание «Dance Music» говорит о возможном использовании принципов музыкального построения и композиционной техники, применяемых при создании танцевальной музыки. Акцент же на слове «Intelligent» указывает на то, что данный тип музыки обладает некими характеристиками отличными от характеристик «обычной музыки». Такими характеристиками могут быть — степень композиционной сложности, использование нетривиальных идей и ходов, использование необычных звуковых тембров, особое эмоциональное и информационное наполнение и т.д.

Intelligent Dance Music существенно отличается от другой электронно-танцевальной музыки наличием доминанты «творческого подхода», выраженной, прежде всего, в стремлении автора к самовыражению — к выражению собственных особых знаний, чувств и эмоций в абстрактной звуко-музыкальной форме. И именно это свойство коренным образом отграничивает Intelligent Dance Music от массы другой музыкальной продукции, и позволяет "искушённому слушателю" отличить настоящую Intelligent Dance Music от «подделок».

Для классической музыки в жанре IDM часто бывает характерно «совмещение противоположностей» — например, сбивчивые быстрые ритмы сочетаются с красивыми чувственными мелодиями. Эта особенность так же может быть объяснена основным свойством IDM-музыки, речь о котором шла выше — то есть наличием доминанты «творческого подхода», стремлением автора к выражению сложных, зачастую противоположных, эмоций.
 

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Начну с моего любимого Flashbulb'a.

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Benn Jordan is an electronica musician operating under many pseudonyms. Since 1999 his most widely distributed and eclectic music has been released under the name of The Flashbulb, whose songs fall under the breakcore genre. Other names Benn operates under are Q-Bit, Flexe, Dr. Lefty, Acidwolf, DJ ASCII, Lucid32, and rnd16.


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genre: electronic
style: idm
quality: VBRkbps

Chris Leary, UK based electronic / idm music producer. Chris has been a member of several online music communities for the past years. He self-released a beautiful album called Ochre - AudioMicroDevice, on black CD-r. His music caught the attention of several labels....

Tracklist:
01 - 111
02 - Beneath fleeting visions
03 - Sosacharo
04 - Infotain me
05 - Anomie
06 - Open top
07 - Lifewish
08 - Oneirist
09 - Bluebottles
10 - Vegas

[ED2K]ed2k://|file|Lemodie2006.zip|88726588|F31ADBBA293C349772D4DC12CDE7FEFA|h=GHYBWXGBEW47RUXQ4DHT7VH2CI6M5EXZ|/[/ED2K]
 

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Label: Acid Samovar [ACSA006]
Rls Date: 04 Jan 2007
Genre: Electronic
Style: Experimental, IDM
Quality: ~260 (VBR) kbps
Time: 73:36 min
Size: 121 mb
Tracklist:
01 - Sat
02 - I'm Zombie
03 - 103
04 - Acid Mind
05 - Platform
06 - Shvah - Tvar (Mendelayev Short Version Remix)
07 - Spitca
08 - Fuo
09 - Room
10 - Fest Loop
11 - Kuku
12 - Chego
13 - Bus
14 - Ak
15 - Telo
16 - V
17 - Night
18 - Drill 1
19 - Stebstep (Just Joke)

Интересный русский idm. Довольно приятный и не напрягающий. Мне понравился :) конечно слышутся корни, но всеравно супер. И у нас могут писать хорошую музыку.
 

Speциалист

Basketball Addict :)
Русский проект Mendelayev вот послушал. Какой-то слишком легкий idm. Цепляет всего пара трэков. Из русских господ-idm'мщиков лучшим является приятель Ричарда Джеймса- Solar X. У меня был на кассете :!:его альбом эры конца журнала ПТЮЧ. На второе место среди русских idm'эмщиков я бы поставил дуэт Ёлочные Игрушки.
 
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Yon_Tihi

beautiful days
Ответ: IDM [ Intelligent Dance Music ]

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Björk
"Breezeblock Mix"
7/5/2007 By Cam Lindsay​

This isn’t exactly timely, but since when does a DJ mix by Björk need to reflect anything current? Lifted from the vaults of BBC’s Radio 1 Breezeblock series, this 1998 set from the pride of Iceland shows her heavy fascination with IDM at the time, sliding in the likes of Oval, Black Dog, Aphex Twin and future collaborators Matmos. But it wouldn’t like Björk to not make a statement, and she does by inserting unknown (at least over here) artists from her expansive, sundry tastes, such as Peruvian Meredith Monk’s sublime yet peculiar “Gotham Lullaby” or even more “different,” Tuhai Merz Sanam’s rendition of “I Will Always Love You.” She also has a little fun, throwing in Nico, Michael Jackson, and of course, Public Enemy to represent her rebellious side.
Björk "Breezeblock Mix"

Setlist:

Nico - Le Petit Chevalier
Nico - My Only Child
Aphex Twin - Come To Daddy (Little Lord Faulteroy Mix)
Sähko - Track 1
Black Dog - Chesh
Tuhai Merz Sanam - I Will Always Love You
Mangal Singh Sud Amor - Unknown
Oval - Do While
Meredith Monk - Gotham Lullaby
Northern Circuits - Track 3
Aphex Twin - Afx 6/B
Oval - Shop In Store
Matmos - Three Guitar Lessons
Sähko - Track 7
Michael Jackson - We’re Almost There
Space Age Pop - Track 11
Aphex Twin - Logan Rock Witch
Arvo Part - Cantus in Memoriam Benjamin Britten
Public Enemy - Rebel Without A Pause

 

Slayer

Member
Відповідь: IDM [ Intelligent Dance Music ]

Наверное не туда запостил, но все же несмотря на нео-классику, данный продукт к идму отношение имеет.
Кто не слушал - наслаждайтесь, если баян - звыняйте, кто не поймет музу - и не надо )

London Sinfonietta - Warp Works & Twentieth Century Masters

Label: Warp Records
Catalog#: WARP CD 144
Format: 2 x CD, Album
Country: UK
Released: 18 Sep 2006
Genre: Classical
Style: Neo-Classical, Contemporary, Post-Modern
Credits: Artwork By [Design] - Sam Blunden

Born at the Royal Festival Hall on 10th March 2003, the London Sinfonietta / Warp concerts grew out of a shared desire to explore the connection between the electronic experimenters on the Warp label and the avant-garde 20th century pioneers who were their sonic grandfathers, at least on one side. New instrumental versions of Squarepusher and Aphex Twin sit side by side with avant-garde classics. This is no crossover - it's unexpected juxtaposition, in the belief that the different kinds of music shed light on each other.
The relationship between human musicians and machines, both electronic and mechanical, provides a kind of idee fixe which runs through this collection of music, recorded live from packed concert halls around the UK.
John Cage and Aphex Twin both altered the machinery of the piano: Cage by inserting rubbers, screws and bolts into the mechanism, transfoming it into a gamelan of detuned sounds, Aphex more simply, by layering chains across the strings.
Both Conlon Nancarrow and Squarepusher imagined music in their heads that no human could play. The first found his solution in player-piano rolls, the second in computers. On this recording, both composers have their music played by human beings in instrumental transcriptions.
In the 1920s, Edgard Varese was dreaming of a time when the human musician would be no longer necessary, when music for a new machine age would be created electronically but, for the moment, he had to make do with a battery of percussion instruments to create his urban landscape.
By the 1960s, Karlheinz Stockhausen wanted his solo performer to receive cosmic musical messages via short-wave radio, and both Steve Reich and Gyorgy Ligeti were striving to represent machines in music. Reich challenged live instrumentalists to create the phasing and layering which he had achieved using reel to reel tape recorders. Ligeti conjured up fantastical, Heath Robinson machines and clockworks, the other side of the same musical mind which also dreamed up floating clouds and spiders' webs of sound.

Tracklisting:

cd1

01] aphex twin - prepared piano piece 1 02:17
02] aphex twin - prepared piano piece 2 02:03
03] conlon nancarrow arr. yvar makhashoff - study no. 7 10:59
04] john cage - sonatas 1 & 2 04:37
05] steve reich - violin phase 09:39
06] john cage - first construction in metal 09:04
07] squarepusher arr. david horne - the tide 06:01
08] karlheinz stockhausen - spiral 20:00

cd2

01] john cage - sonata 12 02:58
02] edgard varese - ionization 06:31
03] steve reich - six marimbas 18:04
04] squarepusher arr. fraser trainer - conc 2 symmetriac 01:34
05] john cage - sonata 5 & 6 04:10
06] aphex twin arr. david horne - AFX237 V7 05:59
07] giorgy ligeti - chamber concerto 1)corrente 04:52
08] giorgy ligeti - chamber concerto 2)calmo, sostenuto 06:04
09] giorgy ligeti - chamber concerto 3)movimento preciso e meccanico 03:31
10] giorgy ligeti - chamber concerto 4)presto 03:31
11] aphex twin arr. kenneth hesketh - polygon window 09:09

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Slayer

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Відповідь: IDM [ Intelligent Dance Music ]

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Label: Expanding Electronic Diversity
Catalog#: eedcd-04
Format: CDr, Limited Edition
Country: US
Released: 26 Feb 2007
Genre: Electronic
Style: IDM, Ambient
Credits: Artwork By [Design] - David Tagg
Mastered By - Mike Bozzi
Photography - Anthea Christensen
Written-By, Producer - Pat Benolkin
Notes: Limited edition of 100 copies.

Tracklisting:
1 The Sacral Influence (4:00)
2 Wrong Again (3:42)
3 Dissocia (2:05)
4 Her Glorious Presence (4:27)
5 Seven Is The Number (4:30)
6 Babysteps (4:14)
7 Speak To Me (5:04)
8 Together We Fade (3:56)
9 Speak To Me (White Light Mix) (6:18)
Remix - Brian Grainger
10 Wrong Again (Red Light Mix) (4:48)
Remix - David Tagg

 

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Slayer

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Відповідь: IDM [ Intelligent Dance Music ]

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Theodore And Hamblin - The Scientific Contrast
Label: Moteer
Catalog#: Moteer 011 CD
Format: CD, Album
Country: UK
Released: 21 May 2007
Genre: Electronic
Style: IDM
Credits: Mastered By - Miles Whittaker
Programmed By - Bernd Hamblin , Kibbee Theodore
Notes: Music data programmed by Kibbee Theodore and Bernd Hamblin at the Gentleman Audio Research Unit 2006.
Audio data mastered by Miles Whittaker at the Mill Mastering Suite 2006.

Tracklisting:
1 Lacie
2 Balmpe
3 Belco
4 Pewn
5 Lelm
6 Pelume
7 Termul
8 Reico
9 Kwelpe
10 Mndel
11 Hernd
12 Kule

 

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